Marin, John
American Painter, 1870-1953 American painter and printmaker. He attended Stevens Institute in Hoboken, NJ, and worked briefly as an architect before studying at the Pennsylvania Academy of the Fine Arts in Philadelphia from 1899 to 1901 under Thomas Pollock Anshutz and Hugh Breckenridge (1870-1937). His education was supplemented by five years of travel in Europe where he was exposed to avant-garde trends. While abroad, he made etchings of notable and picturesque sites
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Marin, John Saint Martin's in the Field oil painting


Saint Martin's in the Field
1908 Watercolor on paper Amarillo Museum of Art
Painting ID::  19287 		Marin, John
Saint Martin's in the Field
1908 Watercolor on paper Amarillo Museum of Art
   
   
     
Marin, John Brooklyn Bridge oil painting


Brooklyn Bridge
1912 Watercolor on canvas Colby College Museum of Art, Waterville, ME.
Painting ID::  19288 		Marin, John
Brooklyn Bridge
1912 Watercolor on canvas Colby College Museum of Art, Waterville, ME.
   
   
     
Marin, John Old Church at Ranchos, New Mexico oil painting


Old Church at Ranchos, New Mexico
1930 Oil on canvas.
Painting ID::  19289 		Marin, John
Old Church at Ranchos, New Mexico
1930 Oil on canvas.
   
   
     
Marin, John Region of the Brooklyn Bridge Fantasy oil painting


Region of the Brooklyn Bridge Fantasy
1932 Watercolor on paper Whitney Museum of American Art, New York.
Painting ID::  19290 		Marin, John
Region of the Brooklyn Bridge Fantasy
1932 Watercolor on paper Whitney Museum of American Art, New York.
   
   
     
Marin, John Woolworth Building oil painting


Woolworth Building
mk151 no.28.1912
Painting ID::  39794 		Marin, John
Woolworth Building
mk151 no.28.1912
   
   
     
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     Marin, John
     American Painter, 1870-1953 American painter and printmaker. He attended Stevens Institute in Hoboken, NJ, and worked briefly as an architect before studying at the Pennsylvania Academy of the Fine Arts in Philadelphia from 1899 to 1901 under Thomas Pollock Anshutz and Hugh Breckenridge (1870-1937). His education was supplemented by five years of travel in Europe where he was exposed to avant-garde trends. While abroad, he made etchings of notable and picturesque sites

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